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Bill Kostelec
Bill Kostelec learned to develop film from his Dad and a beginners Kodak kit. Self taught as a photographer, he has been the photo teacher at Gonzaga University since 1993. If a man were to be identified and labeled by his use of cameras, Bill should probably have been dead by now, still shooting however with a 4X5 Graflex D, 1949 Crown Graphic, 1934 Leica III, 1930’s Eastman 2D 8X10 and a relatively “new” Leica M3 from 1962.
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Kathy Kostelec
Kathy Kostelec has photographed in the deserts of Utah and in the glacial fjords of Alaska, but enjoys every bit as much shooting in her own back yard – in the hauntingly beautiful Columbia River George and scablands of Eastern Washington, or on the streets of downtown Spokane.
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Shelly Murney
My work is a project that examines the hinterland within the state of Washington. The word hinterland (late 19th cent.: from German, from hinter ‘behind’ + Land ‘land.’) means an area surrounding a town and served by it; the remote areas of a region; an area lying beyond what is visible or known. The landscapes I am drawn to are, by their nature, worn, generally containing abandoned or deteriorating forms. They are the landscapes I drive through on a regular basis, ping-ponging between rural and urban areas.
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Tony Roche
After a successful career in high tech marketing I decided to pursue my passion in photography. I have enjoyed photography as a hobby for over 30 years and recently completed the 2-year photography program at SFCC, further preparing me to do commercial and portrait photography. I consider myself a life-long student of photography.
My photography reflects my interest in discovering, capturing, creating and producing photographic art. I photograph extensively in the Northwestern States. I enjoy printing my images as much as capturing them and take great care in producing a quality print.
In addition to creating fine art scenic and landscape imagery, I do assignment work in commercial and architectural photography, editorial, as well as location portraiture.
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